Explosions of great art mark periods of history that stand
out for us today. For instance, the Renaissance that followed the decay of the medieval
empires, and the Romantic period at the beginning of the Industrial Revolution.
I believe that, centuries from now, the explosion of art in 20th
Century America will be in that same category.
One of 20th Century’s contributions to history is
jazz, and one of its greatest artists, I believe, was Duke Ellington. This is a
man whom I actually met.
I heard the orchestra on a cold night in 1977 at Lambton
College’s gym in Sarnia, Ontario. They had played in Cleveland the night
before, and no one would have faulted them for not making it to Sarnia. A
fierce snow storm had made some Ohio and Michigan highways impassable. Even
some people in Sarnia who had bought tickets had decided not to chance going
out in that weather.
Part of my job as Information Office at the college involved
arrangements for “big band” concerts.
The bus full of musicians and their truck full of
instruments and equipment arrived in darkness shortly before show time. Someone
went out for Kentucky Fried Chicken. I remember holding the door against the
blowing snow as all the KFC cartons and drinks were brought in. The musicians
ate as they changed and scrambled to get set up. Mercer Ellington, Duke’s son,
was the band leader.
After a day of difficult travel and hardly a bite to eat,
they blew the roof off the joint. Band members were young and old. One young
sax soloist danced down the steps and through the audience as he played. I was
amazed at the arrangements, the solos, the energy and quality of the
musicianship.
A year and a half before he passed, Duke Ellington led his
orchestra at the opening of The Wheels Motor Inn, a new hotel and restaurant. I
worked for The Chatham Daily News at
the time. Everybody who was anybody in Chatham was there. At the legal last
call for the bar, Ellington said, “wait a minute. Is the mayor here?” He was.
“Is the chief of police here?” He was. “Is there a judge in the house?” There
were more than one. “Then keep the bar open and we’ll keep playing. No cop is
going to raid this joint tonight.”
The next day, I was assigned to photograph Ellington signing
the official city guest book. It was after the appointed 4 p.m. when he came
into the room. Mayor Doug Allin and others were waiting. Ellington wore satin
black slippers, purple silk socks, black tuxedo pants with shiny stripe up the
seam, and ruffled white formal shirt, open at the top. His hair was slicked
straight back to a wave of curls over the collar. His eyes were puffy. A
middle-aged blond woman guided him by the arm, and gave him his sunglasses.
“I’m not used to this daylight,” he joked.
I interviewed him briefly. I asked him the obvious question about not retiring. He said it was inspiring to come to a place like Chatham
and to see people loving the music.
“After we closed 3 in the morning, I went to my room and
wrote some new music until about 5 a.m. I have a command performance for The
Queen across the big pond coming up this summer. She likes to hear something
new when we play for her.”
From the Queen of England to Joe and Jane Blow in small-town
Ontario, people loved to hear Ellington’s band perform and Ellington loved
performing his music. His grandson leads the big band these days in concerts
around the world. If you ever get a chance to hear them live, do yourself a
favour. http://www.dukeellington.com/
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